| Name | Title | Contact Details |
|---|---|---|
Donya Feizbakhsh |
Senior Counsel | Profile |
Amy Byrd |
Principal Counsel | Profile |
Karen Huoth |
VP, Litigation and Intellectual Property | Profile |
Jeff Kleinman |
Vice President of Distribution and Partnerships Counsel | Profile |
Xstream has been a pioneer in OTT and TV Everywhere since 1999. Drawing on our extensive experience, we work with world-leading Telcos, cable operators and media companies. Believing that every company is unique and should be treated so, we deliver simpler, smarter solutions characterized by superior flexibility, usability and cost-efficiency. We guarentee the best proven technologies to ensure optimal performance and value.
WarnerMedia is a powerful portfolio of iconic entertainment, news and sports brands including HBO, Warner Bros., Adult Swim, Bleacher Report, Boomerang, Cartoon Network, CNN, ELEAGUE, RoosterTeeth, TBS, Turner Classic Movies (TCM), TNT, truTV, Turner Sports and more.
Since being established in 1930, SESAC Performing Rights has become the nation`s most innovative PRO with a stellar roster of affiliates including Bob Dylan, Mumford & Sons, Neil Diamond, Green Day, Mariah Carey, Lady Antebellum, Alt-J among many others. A leader in technology, SESAC Performing Rights was the first and only PRO to offer monthly royalty payments to songwriters and publishers. And in a strategic move to become the United States` only Music Rights Organization, SESAC has now acquired Rumblefish, a leader in micro-licensing, and the Harry Fox Agency (HFA), the leading U.S. mechanical rights organization.
Biz941 is a Sarasota, FL-based company in the Media and Entertainment sector.
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada was founded in 1893 when representatives of stagehands working in eleven cities met in New York and pledged to support each others’ efforts to establish fair wages and working conditions for their members. Our union has evolved to embrace the development of new entertainment mediums, craft expansion, technological innovation and geographic growth. Today, our members work in all forms of live theater, motion picture and television production, trade shows and exhibitions, television broadcasting, and concerts as well as the equipment and construction shops that support all these areas of the entertainment industry. We represent virtually all the behind-the-scenes workers in crafts ranging from motion picture animator to theater usher. During a period when private sector union membership has been in sharp decline the IATSE has continued to grow. Since 1993 our membership has increased from 74,344 to more than 119,000. This growth is attributable to our willingness to adapt our structure to protect our traditional jurisdiction and accommodate new crafts. But that alone is insufficient. The IATSE has maintained and enhanced its position in the vanguard of the entertainment industry through effective rank and file empowerment, political engagement, and our dedication to grass roots organizing. On both the International and local union levels, the motivating principle of the IATSE is to represent every worker employed in our crafts.